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Barry Comden( m. 1976; div. 1982)ChildrenWebsiteDoris Day (born Doris Mary Anne Kappelhoff; April 3, 1922 – May 13, 2019) was an American actress, singer, and animal welfare activist. She began her career as a singer in 1939, achieving commercial success in 1945 with two No. 1 recordings, ' and ' with. She left Brown to embark on a solo career and recorded more than 650 songs from 1947 to 1967.Day's film career began during the latter part of the with the film (1948), leading to a 20-year career as a motion picture actress. She starred in films of many genres, including musicals, comedies, dramas, and thrillers. She played the title role in (1953) and starred in 's (1956) with. Her best-known films are those in which she co-starred with, chief among them 1959's, for which she was nominated for the.
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She also worked with on both (1963) and (1963), and starred alongside, and in various movies. After ending her film career in 1968, only briefly removed from the height of her popularity, she starred in her own sitcom (1968–1973).Day became one of the biggest film stars in the early 1960s, and as of 2012 was one of eight performers to have been the top box-office earner in the United States four times. In 2011, she released her 29th studio album which contained new material and became a UK Top 10 album. She received the Grammy Lifetime Achievement Award and a Legend Award from the. In 1960, she was nominated for the Academy Award for Best Actress, and was given the for lifetime achievement in motion pictures in 1989.
In 2004, she was awarded the; this was followed in 2011 by the. Childhood home in CincinnatiDoris Mary Anne Kappelhoff was born on April 3, 1922, in, the daughter of Alma Sophia ( Welz; 1895–1976) and William Joseph Kappelhoff (1892–1967). Her mother was a, and her father was a music teacher.
Her maternal and paternal grandparents were; her paternal grandfather Franz Joseph Wilhelm Kappelhoff immigrated to the United States in 1875 and settled in Cincinnati which had a large German community with its own churches, clubs, and German-language newspapers. For most of her life, Day reportedly believed she had been born in 1924 and reported her age accordingly; it was not until her 95th birthday – when the found her birth certificate, showing a 1922 date of birth – that she learned otherwise.The youngest of three siblings, she had two older brothers: Richard (who died before her birth) and Paul, two to three years older. Due to her father's alleged infidelity, her parents separated. She developed an early interest in dance, and in the mid-1930s formed a dance duo with Jerry Doherty that performed locally in Cincinnati. A car accident on October 13, 1937, injured her right leg and curtailed her prospects as a professional dancer. Career Early career (1938–1947). Day at the Aquarium Jazz Club, New York (1946)While recovering from her car accident, Kappelhoff started to sing along with the radio and discovered a talent she did not know she had.
'During this long, boring period, I used to while away a lot of time listening to the radio, sometimes singing along with the likes of, and ', she told, one of Day's biographers. 'But the one radio voice I listened to above others belonged to. There was a quality to her voice that fascinated me, and I'd sing along with her, trying to catch the subtle ways she shaded her voice, the casual yet clean way she sang the words.' Observing her daughter sing rekindled Alma's interest in, and she decided Doris must have singing lessons. She engaged a teacher, Grace Raine. After three lessons, Raine told Alma that young Doris had 'tremendous potential'; Raine was so impressed that she gave Doris three lessons a week for the price of one. Years later, Day said that Raine had the biggest effect on her singing style and career.During the eight months she was taking singing lessons, Kappelhoff had her first professional jobs as a vocalist, on the radio program Carlin's Carnival, and in a local restaurant, Charlie Yee's Shanghai Inn.
During her radio performances, she first caught the attention of, who was looking for a female vocalist and asked if she would like to audition for the job. According to Rapp, he had auditioned about 200 singers when Kappelhoff got the job.While working for Rapp in 1939, she adopted the stage surname 'Day', at Rapp's suggestion. Rapp felt that 'Kappelhoff' was too long for, and he admired her rendition of the song 'Day After Day'. After working with Rapp, Day worked with bandleaders Jimmy James,. In 1941, Day appeared as a singer in three with the Les Brown band.While working with Brown, Day recorded her first hit recording, ', released in early 1945. It soon became an anthem of the desire of demobilizing troops to return home.
The song continues to be associated with Day, and she re-recorded it on several occasions, including a version in her 1971 television special. During 1945–46, Day (as vocalist with the Les Brown Band) had six other top ten hits on the: ', 'Tain't Me', ', 'You Won't Be Satisfied (Until You Break My Heart)', 'The Whole World is Singing My Song',. Les Brown said, 'As a singer Doris belongs in the company of Bing Crosby and Frank Sinatra.' (Aljean Harmetz (2019). 'Wholesome Box-Office Star and Golden Voice of 'Que Sera, Sera' '. 'The New York Times.' P. 1 )Early film career (1948–1954).
And Day in (1951)While singing with the Les Brown band and for nearly two years on 's weekly radio program, she toured extensively across the United States.Her performance of the song ' impressed songwriter and his partner, and they recommended her for a role in (1948). Day was cast for the role after auditioning for director. She was shocked at being offered the role in the film, and admitted to Curtiz that she was a singer without acting experience. But he said he liked that 'she was honest', not afraid to admit it, and he wanted someone who 'looked like the All-American Girl'.
Day was the discovery of which Curtiz was most proud during his career.The film provided her with a No. 2 hit recording as a soloist, ', which followed by two months her first No. 1 hit (' in 1948) recorded as a duet with. Day recorded 'Someone Like You', before the film (1949), which featured the song. In 1950, U.S.
Servicemen in Korea voted her their favorite star.She continued to make minor and frequently nostalgic period musicals such as (1951), (1953), and (1950) for. Day with in (1953)Her most commercially successful film for Warner was (1951), which broke box-office records of 20 years.
The film is a musical biography of lyricist. It was Day's fourth film directed by Curtiz. Day appeared as the title character in the comedic western-themed musical, (1953). A song from the film, ', won the and became Day's fourth No. 1 hit single in the United States.Between 1950 and 1953, the albums from six of her movie musicals charted in the Top 10, three of them at No. After filming (1954) with and (1955) with, Day chose not to renew her contract with Warner Brothers.During this period, Day also had her own radio program,. It was broadcast on CBS in 1952–1953.
Breakthrough (1955–1958). Day in the trailer for (1955)Having become primarily recognized as a musical-comedy actress, Day gradually took on more dramatic roles to broaden her range. Her dramatic star turn as singer in (1955), with top billing above, received critical and commercial success, becoming Day's biggest hit thus far. Cagney said she had 'the ability to project the simple, direct statement of a simple, direct idea without cluttering it', comparing her to 's Broadway performance in (1945), one of the greatest performances by an American actor. Day said it was her best film performance. Producer said, 'I was stunned that Doris did not get an Oscar nomination.'
The soundtrack album from that movie was a No. 1 hit.Day starred in 's suspense film (1956) with. She sang two songs in the film, ' which won an, and 'We'll Love Again'. The film was Day's 10th movie to be in the Top 10 at the box office. Day played the title role in the thriller/noir (also 1956) with.After three successive dramatic films, Day returned to her musical/comedic roots in (1957) with. The film was based on the play of. She worked with for the comedy (1958), alongside.
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She co-starred with and Gig Young in the romantic comedy film (also 1958), but found scant success opposite in (1959).' S annual nationwide poll of disc jockeys had ranked Day as the No. 1 female vocalist nine times in ten years (1949 through 1958), but her success and popularity as a singer was now being overshadowed by her box-office appeal. Box-office success (1959–1968). Day in a publicity portrait for (1960)In 1959, Day entered her most successful phase as a film actress with a series of romantic comedies.
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This success began with (1959), co-starring who became a lifelong friend,. Day received a nomination for an. It was the only Oscar nomination she received in her career. Day, Hudson, and Randall made two more films together, (1961) and (1964).Along with and, Day starred in (1960) and with in the comedy (1962).
During 1960 and the 1962 to 1964 period, she ranked number one at the box office, the second woman to be number one four times, an accomplished equalled by no other actress except Shirley Temple. She set a record that has yet to be equaled, receiving seven consecutive as the top female box office star.Day teamed up with starting with, followed by (both 1963). The film's theme song, ', co-written by her son, reached No. 8 in the UK.
In between these comedic roles, Day co-starred with in the movie thriller (1960), an updating of the stage thriller.By the late 1960s, the of the generation had refocused public attitudes about sex. Times changed, but Day's films did not. Day's next film (1965) was popular with audiences, but her popularity soon waned. Critics and comics dubbed Day 'The World's Oldest Virgin', and audiences began to shy away from her films. As a result, she slipped from the list of top box-office stars, last appearing in the top ten with the hit film (1966). One of the roles she turned down was that of Mrs.
Robinson in, a role that eventually went to. In her published memoirs, Day said she had rejected the part on moral grounds: she found the script 'vulgar and offensive'.She starred in the western film (1967). That same year, Day recorded, although it was not released until 1994. The following year (1968), she starred in the comedy film which centers on the.
Her final feature, the comedy, was released in 1968.From 1959 to 1970, Day received nine Laurel Award nominations (and won four times) for best female performance in eight comedies and one drama. From 1959 through 1969, she received six nominations for best female performance in three comedies, one drama ( Midnight Lace), one musical ( Jumbo), and her television series. Bankruptcy and television career. On the set ofAfter her third husband died on April 20, 1968, a shocked Day discovered that Melcher and his business partner and 'adviser' Jerome Bernard Rosenthal had squandered her earnings, leaving her deeply in debt.
Rosenthal had been her attorney since 1949, when he represented her in her uncontested divorce action against her second husband, saxophonist. Day filed suit against Rosenthal in February 1969, won a successful decision in 1974, but did not receive compensation until a settlement in 1979.Day also learned to her displeasure that Melcher had committed her to a television series, which became.It was awful. I was really, really not very well when Marty Melcher passed away, and the thought of going into TV was overpowering. But he'd signed me up for a series. And then my son Terry Melcher took me walking in and explained that it wasn't nearly the end of it. I had also been signed up for a bunch of TV specials, all without anyone ever asking me.
— Doris Day, OK! Magazine, 1996 Day hated the idea of performing on television, but felt obligated to do it. The first episode of The Doris Day Show aired on September 24, 1968, and, from 1968 to 1973, employed 'Que Sera, Sera' as its theme song. Day persevered (she needed the work to help pay off her debts), but only after ceded creative control to her and her son. The successful show enjoyed a five-year run, and functioned as a for the. It is remembered today for its abrupt season-to-season changes in casting and premise.
The 41 papers presented were carefully reviewed and selected from 92 submissions. The papers are organized in the following topical sections: Knowledge Engineering, Knowledge Representation and Reasoning under Uncertainty., Multiagent Systems., Game Theory and Economic Paradigms, Game Playing and Interactive Entertainment, Ambient Intelligence, Machine Learning Methods, Cognitive Modeling,General AI, Knowledge Engineering, Computational Sustainability and AI, Heuristic Search and Optimization and much more.